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Posts Tagged ‘slam poetry’


I’ve been wanting to write this blog post for a while. Even as I sit here now beginning to type, I can feel my stomach tying up in knots. I’ve written at length about my sexual assault on this blog, but most of it has been in relation to some political rant or another. Don’t get me wrong, I’m a firm believer in “the personal is political,” but this is a different type of post here.

I’ve decided to write this post today because the 1-year anniversary of my sexual assault is approaching. And so much has happened and changed in the past year. The truth is, though, it’s all been for the better. If you had told that to myself in October, 2010, I wouldn’t have believed you. I was at the lowest low in my life. The fact of the matter is, when a sexual assault happens to you, it’s like a domino effect of your entire world being shattered. It’s not just the assault–it’s the way others treat you because of it (no wonder so many choose to stay silent). My assailant was my best friend and a collaborator. I lost all of our mutual friends. I broke up with my boyfriend despite him being my biggest support system, because I couldn’t fathom the idea of being romantic with anyone ever again. I barely had the strength to go to school and complete my homework, despite my being just a few credits away from graduation. Literally, my entire world had been shattered.

And the assault couldn’t have come at a stranger time in my life, either. I had just gotten back from New York City a few hours before, where I’d seen my all-time favorite band, Pavement, perform the last leg of their reunion tour from the front row in Central Park (which, at that time, was probably #1 on my list of coolest experiences). I was set to perform in The Encyclopedia Show, one of the world’s (let’s be honest, probably the only) fastest-spreading literary variety shows, in the coming days, and I’d just finished writing the perfect poem on my topic: somewhat ironically given the events to come, “Bare Naked.” The same night I got back, I jet-laggedly rushed to meet up with my musician to show him the piece and finish writing the song–after all, the performance was just in a few days. When he offered me an adderall, I accepted, even though I’d never tried it before and had no idea what to anticipate, because I wanted to stay up all night to perfect the piece. How could I have known his intention would be to wait until I passed out, drugged out of my mind, and take advantage of me?

It was a Friday night. The show was on Tuesday. I won’t focus on the event of the assault here, because that’s not what’s important. What is important to me, today, is that I decided to do go through with the performance. Despite the fact that I had spent all weekend in a hospital room getting a rape kit done and talking to various authorities about the event, despite the fact that for at least an entire month after the event I was so depressed I literally did not get out of bed, I had to make a decision about what was important to me. And that decision was whether or not I would let my assailant take away an important opportunity in my life, or be strong, and find a way to perform my piece without the way I had practiced and prepared it with the man who had taken advantage of me. I asked my sister, a musician, to help me, and we came up with something the night before the show.

It’s strange for me to watch this video. The trembling in my hands and legs, the sadness in my eyes, seems all so obvious to me, although there were only a few people in the room who knew what had happened. I remember the moments while reciting that poem when my mind would wander back to what had happened to me just a few nights before–and I remember pushing those thoughts away to stay focused on my performance. There were several moments when I almost started crying, and didn’t. And in the end, when I crack a smile and look back at my sister, who smiles back at me–I can see the shared moment of trust and triumph. Needless to say, I feel very blessed to have this video as a relic of this small victory.

What’s more, this performance was a very important moment in my life for another reason–not that I knew it at the time. Like I previously mentioned, I lost all of my close friends in the wake of my assault. But today, I have something even more valuable–my sister, the people in the room, the poets who performed and came out to support me, would come to be my lifeline in the coming months, although they would be almost completely oblivious to it. Who would have thought that something like a sexual assault and the loss of all my close friendships would come to be the event that propelled me forward in my passion? Who would have thought that the utter despair and loneliness I experienced would send me somewhere completely unexpected, into a poetic community, that would welcome me with open arms and a type of love and understanding that I would never have to question or doubt?

There was another moment that came a little later that was very important in my recovery as well. Like I said, I spent literally months so depressed I couldn’t get out of bed. Then, one day, instead of choosing to do nothing about my emotions, I decided to write a poem. I’ve often said that I write a poem when I feel so much of a certain way that I can’t do anything else–this was precisely the moment when that first happened. I wrote a poem that contained all of my sadness and struggle from the past year. I made all of my emotions small enough to be contained in letters on a page. And then, a few months later, I performed again, in the Louder Than A Bomb College Indy Slam.

To be honest, I didn’t score that well in the slam (well, in my opinion–my goal was to win the whole thing of course). I was more interested in getting involved in LTAB for the opportunities to work with high school poets than to compete. I’ll be the first to admit that my competitive side isn’t pretty, and I’m a pretty sore loser. I cried a lot after the competition. But getting on stage and sharing a poem I’d worked so hard on, both in terms of literariness and performance, was incredibly important to me. As Robbie Q. Telfer, the co-founder of the aforementioned Encyclopedia Show and director of LTAB, says frequently: “The point is not the points, the point in the poetry.” And although I didn’t know it at the time, and certainly wouldn’t try to perform that poem again, opening up about my experience to a room full of strangers, unafraid of their judgment, was a profoundly empowering experience, and one that’s propelled me forward in the aftermath.

I’ll get to the point, here. A year ago, I was a senior in college, the president of a student poetry organization, oblivious to the fact that school was going to be over soon and I’d have to figure out how to make this whole “being a career poet” thing work. My priorities lied in getting drunk with my friends and having a boyfriend at all times. Of course poetry was important to me–it always has been–but it wasn’t my life. And for most people, it probably shouldn’t be their life. After all, everything I’m trying to say is that it took a life-changing, post traumatic stress-inducing event for me to get to that point.

But that’s not it, exactly. Yes, I threw myself into my poetry as a way to get my mind off of what had happened. But I did something else, too–I threw myself into the community here in Chicago as well. I surrounded myself with people who were poets, a couple of whom were my age and had merely been friends through association, who now are my very best friends in the entire world and have my back in a way no friend has ever had before. What’s more is that the poetry community in Chicago is a very special place where things like sexism, ableism, homophobia, and the rest won’t fly or get politely golf-clapped off stage when performed (unlike in New York where I watched a guy perform a poem about how “all women are whores” and “gay marriage isn’t in the Bible” get wild applause at the Nuyorican Cafe). I’ve become more than just a poet, but an organizer–someone who has given back to the community a hundred fold what it’s given to me–because I wanted to surround myself with intelligent people who had the strength to share their pain the way I did, but also the strength to just keep trying to be better. I think about the people who have become important in my life in the past year and scoff at what was important to me a year ago–people who held me back and distracted me from my dreams.

It’s weird how, a year later, I can look back at something like my own sexual assault and subsequent depression and see it as such a valuable and life-changing experience. I can’t say I wouldn’t have found my way to the 24/7 poetry lifestyle if it weren’t for my assault, but I do know that my life would be profoundly different. I wouldn’t have the good, supportive friends I do if I didn’t have a good reason to forget about the old ones. I wouldn’t have had the balls to compete in a slam if I didn’t write a poem that I thought was good enough for it. My life and work as an artist has taken a dramatically different turn–from organizing SlutWalk Chicago to having the opportunity to work with some of my most idolized poets–if I hadn’t had the hard life experience to propel me in that direction. And I certainly wouldn’t have had the opportunity to speak out about my own experience and help others who are going through similar situations if I hadn’t lived it.

So, here’s a final video: me, today, performing a new poem that addresses my beliefs as a feminist in a different way than the videos above. I wouldn’t have had the strength to do this, either, if I hadn’t let go of the pain that haunted me for so long.

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